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Embassy of Japan,
The Japanese Association,
Singapore & Singapore Film Society
Present
Over a period of 10 days in the months of September and October, Embassy of Japan, The Japanese Association, (Singapore) and Singapore Film Society, with the support of Japan Foundation, present
TOKYO STORIES
Japanese Film Festival 2004
Every city has a story.
Every story has a life of its own.
Every life is linked by stories.
Find the link and you will find life.
Our focus this year centers on contemporary filmmakers and their own "Tokyo Stories":
One such director is Ichikawa Jun. Earlier regarded by some as the successor to the Ozu-esque school of simple, unobtrusive, quiet and deeply emotional filmmaking, his later films reflect his attempt to creatively deconstruct the established style. In the FOCUS ON ICHIKAWA JUN segment, we will be featuring four of his films, including the Singapore Premiere of his 1998 work, "TADON AND CHIKUWA".
Fri 24 Sept
8.00pm Tora-San #1: It's Tough Being A Man -PG
Sat 25 Sept
11.00am Yellow Handkerchief - PG
2.00pm Bu.Su -PG
4.15pm Tsugumi -PG
8.00pm Osaka Story -PG
Sun 26 Sept
11.00am Tora-San #1: It's Tough Being A Man -PG
2.00pm Tora-San #17: Tora-San's Sunrise And Sunset -PG
4.15pm My Sons -PG
8.00pm Bu.Su -PG
Mon 27 Sept
8.00pm Tokyo Drifter -PG
Tue 28 Sept
8.00pm Osaka Story -PG
Wed 29 Sept
8.00pm Yellow Handkerchief -PG
Thur 30 Sept
8.00pm Tora-San #17: Tora-San's Sunrise And Sunset -PG
Sessions start punctually at the stated times (i.e. there will be no trailers, unlike commercial screenings).
Fri 1 Oct
7.00pm Tadon And Chikuwa -M18 (Mature Content)
9.15pm The Taste of Tea -PG
Sat 2 Oct
4.15pm Scoutman -RA
7.00pm Edo Porn -RA
Sun 3 Oct
2.00pm Tadon And Chikuwa -M18 (Mature Content)
4.15pm The Taste of Tea -PG
1966, 89 minutes, 16mm, colour
Directed by: Suzuki Seijun
Main Cast: Watari Tetsuya, Matsubara Chieko, Kita Ryuji, Yoshida Tsuyoshi
After his boss disbands the gang, "Phoenix" Tetsu is pulled back in by his boss in order to protect the "status quo" of the remnants of their yakuza. With pressure from a rival gang, they have a hard time playing it straight and have their honour tested to the fullest degree. (Source: www.kfccinema.com)
1969, 91 minutes,16mm, colour
Directed by: Yamada Yoji
Main Cast: Atsumi Kiyoshi, Baisho Chieko, Mitsumoto Sachiko, Ryu Chishu
First feature in the TORA-SAN series. Tora-San, an itinerant peddler, returns to Shibamata, Tokyo, after twenty years to find that his parents have passed away and his only sister, Sakura, is planning to marry a painter. He unwittingly falls in love with the daughter of a Buddhist priest but upon learning that she is already preparing for her own marriage, he decides to leave home again... (Source: www.panaroma.com.hk)
1969 Kinema Junpo Awards: Best Actor
1969 Mainichi Film Concours: Best Director, Best Actor
1976, 109 minutes, 16mm, colour
Directed by: Yamada Yoji
Main Cast: Atsumi Kiyoshi, Baisho Chieko, Taichi Kiwako, Uno Jukichi
The 17th film in the series. Tora-San returns to Shibamata, Tokyo, and befriends Seikan, an elderly painter, through whom he meets a geisha girl named Botan. He immediately falls for her and so begins another futile pursuit.
Best Supporting actress awards at:
1976 Kinema Junpo Awards
1976 Hochi Film Awards
1977, 109 minutes, 16mm, colour
Directed by: Yamada Yoji
Main Cast: Takakura Ken, Baisho Chieko, Takeda Tetsuya, Momoi Kaori
Adapted from a short story by American writer Peter Hamill. Heart-broken Hanada decides to make a trip by driving to Hokkaido after separating from his girlfriend. His journey begins in Kushiro, Tokyo, and along the way he picks up an ex-murderer on parole and a cheerful girl. As they approach their destination, the story of yellow handkerchief unfolds...
Best Film, Director, Screenplay, Actor, Supporting Actor, Supporting
Actress awards at:
1978 Japanese Academy Awards
1977 Kinema Junpo Awards
1991, 121 minutes, 16mm, colour
Directed by: Yamada Yoji
Main Cast: Mikuni Rentaro, Nagase Masatoshi, Wakui Emi, Harada Mieko
An elderly widower decides to visit Tokyo where his two sons live. Their relationship has been strained over the years due to the sons' decision to move from the country to the big city. But when the father learns of the younger son's plan to marry a hearing-impaired co-worker, the family rift begins to heal.
Best Film, Actor, Supporting Actor, Supporting Actress awards at:
1992 Japanese Academy Awards
1991 Kinema Junpo Awards (Also Best Director)
1987, 95 minutes, 16mm, colour
Directed by: Ichikawa Jun
Main Cast: Tomita Yasuko, Okusu Michiyo, Fujishiro Minako, Oka Mitsuko
Ichikawa's first feature film. Mugiko is a shy girl brought up in a remote country village. One day, she is told that her mother used to dance very well. She tries to dance as her mother did in the school festival and finds true happiness for the first time in her life.
1990, 105 minutes, 16mm, colour
Directed by: Ichikawa Jun
Main Cast: Makise Riho, Nakajima Tomoko, Shiroshima Yasuyo, Sanada
Hiroyuki
Adapted from Yoshimoto Banana's novel. Tsugumi has been in delicate health from birth and her parents have been providing much care when she was growing up.
In the summer, Tsugumi meets and falls in love with Kyoichi. Out of jealousy, one of Tsugumi's old boyfriends attacks Kyoichi and kills Tsugumi's pet dog. Tsugumi decides to take revenge... (Source: www.panaroma.com.hk)
1998. 102 minutes, 35mm, colour
Directed by: Ichikawa Jun
Main Cast: Yakusho Koji, Sanada Hiroyuki, Nezu Jinpachi
A film based on two short stories by Shiina Makoto. Tadon is the story of a cab-driver who spends his days listening to his passengers' conversations. Chikuwa is about a writer who faces a creativity bottleneck.
(Source: www.asianfilms.org/japan/tenbest.html)
1999, 119 minutes, 16mm, colour
Directed by: Ichikawa Jun
Main Cast: Ikewaki Chizuru, Nano Kosuke, Sawada Kenji, Tanaka Yuko
The film is Ichikawa's homage to Ozu. Wakana, aged 14, is the daughter of a standup comedy couple. The parents continue to work together after their divorce. The father begins to see his career slipping away and one day, he disappears. Wakana then decides to look for him...
2000, 114 minutes, 35mm, colour
Directed by: Ishioka Masato
Main Cast: Matsumoto Miku, Nakaizumi Hideo, Fujumoto Yuka, Yoshiie
Mari and Atsushi elope to Tokyo in search of a better life. They loiter around the streets of downtown Ikebukuro District looking for a living. Soon, Atushi is introduced to the world of scoutmen - flashy, dashing men who recruit young women off the streets for adult videos (AV). They begin to realise reality is a lot more complex than dreams.
Web reference:
http://www.midnighteye.com/reviews/scoutman.shtml
http://www.asianfilms.org/japan/scoutman.reviews.html
2001 Fantasporto Film Festival: Special Jury Award
1981, 119 minutes, 35mm, colour
Directed by: Shindo Kaneto
Main Cast: Ogata Ken, Nishida Toshiyuki, Tanaka Yuko, Higuchi Kanako
Based on the biography of maverick Japanese Ukiyo-e master, Hokusai Katsushika, the film takes on an erotic narration of the painter's life in 18th-Century Edo (former name of Tokyo).
Hokusai (1760-1849) is often considered as one of the most important Japanese artists and his works are most representative of Japan, particularly the Seascape with Mt. Fuji. Ukiyo-e means painting of the floating world.
Web reference:
http://www.andreas.com/hokusai.html
Best Supporting Actress Awards at:
1982 Japanese Academy Awards
1982 Blue Ribbon Awards
1981 Hochi Film Awards
2004, 143 minutes, 35mm, colour
Directed by: Ishii Katsuhito
Main Cast: Banno Maya, Asano Tadanobu, Tezuka Satomi, Fashuin Tatsuya
Opening film in the Directors' Fortnight section of the 2004 Cannes Film Festival. The Haruno family lives in a countryside town. One day, a city-slicker relative pays a visit and decides to stay for a while. Life will never be the same again...
Web reference:
http://www.chanoaji.jp
As a successful TV-Commercials producer with a slew of industry honors to his credit, he left the production company in 1981 and became a freelance director. Ichikawa Ju has, since his 1987 feature debut BU.SU, embarked on a parallel career as a maker of movies that recall, in their intimate scale, understated humanism, elegant compositions and deliberate pace, the work of Ozu Yasujiro. The Jimi (quiet, unremarkable) style of directing continued into his next few films but saw a change in pace in TADON AND CHIKUWA.
As a director who is capable of finding a niche in both mainstream and art-house cinemas, Ichikawa Jun is one of Japan's most anticipated directors.
Web Reference:
http://www.asianfilms.org/japan/osaka/interviews.html
Yamada Yoji graduated Tokyo University in 1954 and joined Shochiku as an assistant director. In 1969 he launched the popular TORA-SAN series, which eventually ran to 48 films.
Known for his highly sentimental style, at the age of 73, he is currently making his 78th feature film, THE HIDDEN BLADE. Four of his films have won the Best Picture awards including THE YELLOW HANDKERCHIEF, MY SONS and TWILIGHT SAMURAI which was featured in JFF 2003.
Web Reference:
http://www.japan-zone.com/modern/yamada_yoji.shtml